The Bauhaus is undoubtedly one of the most outstanding art and design movements in history. In my thesis, I present the various international and national, direct and indirect results and inspirations of object and digital design along the aspirations and ideas of the institution's ceramics workshop in Dornburg. I highlight three female figures, especially those who play a unique role in porcelain production; I do it through the work of the American Marguerite Friedländer Wildenhain, the Danish Bodil Manz and the Hungarian Babos Pálma. Although they have been active at different times, or are still active to this day, have to some extent in their art the Bauhaus approach and its distinctive features.