Gajewszky Anna

Photography MA
témavezető
Máté Gábor
mestermunka konzulens
Szombat Éva
mestermunka opponens
Molnár Ágnes Éva
szakdolgozati konzulens
Keszeg Anna
szakdolgozati opponens
Váró Kata Anna
mestermunka

Mother Don't You Cry

The title comes from a Hungarian bride’s lament, a folk song in which the mother cries for her daughter who is stepping into her new role as a homemaker (or wife), where she has to figure out life for herself. The daughter is comforting her mother by telling her not to cry as this is the way things have to be. In my series I work with my own family heritage and the ways my upbringing has formed me. My parents have moved out of the Transylvanian village where they were born, which led me to have a very different lifestyle than my ancestors. Although the life I live, the people I am surrounded with, the decisions I have to make, in many ways differ, in other ways are very similar to the ones I know from our family’s history. The strong family community that raised me has formed my idea about the world and I only began to question it when I realized the difference between my experiences and my ancestors. In my series I reflect on the lives of women who have been forming my identity. I am combining their story and my memories to create a visual world about the roles I am fulfilling or changing throughout my life.
szakdolgozat

Generational Transmission of Women's Life Experiences

Silenced Stories and Women's Autonomy through the Films of Márta Mészáros

Through my thesis I delve into the journey of exploring the intricate interplay between family narratives, historical contexts, and personal identity. Through the lens of transgenerational heritage and trauma, I navigate my family's past, drawing from family anecdotes, archive photos, and then I move onto the works of Hungarian filmmaker Márta Mészáros. Through semantic examination of visual narratives and thematic motifs, I underscore the significance of understanding and confronting familial and societal pasts. Drawing from interdisciplinary perspectives in psychology, film studies, and Hungarian identity research, the thesis seeks to unravel the enduring impacts of untold stories and inherited traumas, from a female perspective.