This paper explores the relationship between institutional and personal archives by examining the use of photographic material and artistic practices relating to archival intervention. Further drawing on autobiographical memoirs and the use of imagery within them, this text analyzes the complexities that exist within the relationship between archival materials of historical and personal significance, while questioning the meaning of value in either case. Beginning with a brief overview of the roles of archives within institutions and identifying the key traits and frameworks that surround them, this is then applied to the existing systems within personal archives, such as the family album. An exploration surrounding how absence and the missing shape of archives is followed by a critical examination of the inherent power dynamics existing within any archive system, with emphasis placed on the idea that both personal and traditional archives are systems of equal significance and must be treated as such. This culminates in the joint conclusion that when understanding an archive, no matter the size or stature, the parameters that surround it are just as crucial as the contents within it.