My graduation project processes a personal inheritance: I inspect the circumstances of my father's disappearance 25 years ago in the form of a performative exhibition. SORRY M.P. was an exhibition that marked the end of a research process. It was set up in my living room, creating an in-between, semi-public space. My flat simultaneously served as the investigative site of the events of 1998, and an intimate space where I shared this private story with the public. The exhibition present various parallel narratives that emerged over time through official and private documents. I invited the visitors to a participatory research and investigation, where we were thinking together. In this situation I examined the boundaries between the private and the collective.